"Sinners" Takes the Lead in Nominations for the 2026 Guild of Music Supervisors Awards: Complete List Inside!
The anticipation surrounding the 2026 Guild of Music Supervisors Awards is palpable, especially with the film "Sinners" emerging as a frontrunner in the nominations. This recognition highlights the crucial role music supervision plays in enhancing cinematic experiences. Let’s delve into the nominees across various categories, showcasing remarkable talent and creativity in music selection.
Best Music Supervision in Major Budget Films
- Gabe Hilfer and Karyn Rachtman – A Minecraft Movie
- Kirsten Lane – The Running Man
- Maggie Rodford – Wicked: For Good
- Niki Sherrod – Sinners
- David Taylor and Jake Voulgarides – F1
In this category, the competition is fierce, with each nominee demonstrating exceptional skill in curating soundtracks that resonate with audiences. Niki Sherrod's work on Sinners stands out, making it a topic for discussion. But here's where it gets controversial... Will the unique musical choices of Sinners lead to an upset against more mainstream productions?
Best Music Supervision in Mid-Level Budget Films
- Vivian Aguiar-Buff, Natalie Hayden, and Alexandra Nickson – Gabby’s Dollhouse: The Movie
- Linda Cohen – The Smashing Machine
- Gabe Hilfer – Marty Supreme
- Jen Malone – Caught Stealing
- Howard Paar – A Big Bold Beautiful Journey
- Trygge Toven – Song Sung Blue
This category celebrates creativity within budget constraints, showcasing how art can flourish regardless of financial backing. Each nominee has crafted distinctive musical experiences that elevate their films’ narratives.
Best Music Supervision in Low-Budget Films
- Lucy Bright – The History of Sound
- Sarah Bromberg and Stephanie Diaz-Matos – One of Them Days
- Raife Burchell and Ian Neil – Die My Love
- Jody Friedman, Cyrus Paul Ghazizadeh, and Jacob Yoffee – Tapawingo
- Rob Lowry and Mia Riggins – Friendship
- Peymon Maskan – Pools
Here, we witness innovation and resourcefulness. The selections of music in low-budget films often reveal hidden gems that resonate on a personal level, prompting viewers to connect deeply with the story.
Best Music Supervision in a Non-Theatrically Released Film
- Jumi Akinfenwa – My Fault: London
- Nick Angel – Bridget Jones: Mad About the Boy
- Ashley Neumeister – Ruth & Boaz
- Frankie Pine – Nonnas
- Karyn Rachtman and Otis Rachtman – Plankton: The Movie
Non-theatrical releases often fly under the radar, yet they can feature brilliant music supervision. It raises a question: And this is the part most people miss... How do these films manage to create impactful soundscapes without the buzz of a theatrical release?
Best Song Written and/or Recorded for a Film
- “Dear Me” from Relentless; Songwriter: Diane Warren; Performer: Kesha; Music Supervisor: Heather Guibert
- “I Lied to You” from Sinners; Songwriters: Ludwig Göransson, Raphael Saadiq; Performer: Miles Caton; Music Supervisor: Niki Sherrod
- “It Isn’t Perfect But It Might Be” from Bridget Jones: Mad About the Boy; Songwriters: Olivia Dean, Matthew Hales; Performer: Olivia Dean; Music Supervisor: Nick Angel
- “Just Keep Watching” from F1; Songwriters: Amy Allen, Tate McRae, Tyler Spry, Ryan Tedder; Performer: Tate McRae; Music Supervisors: David Taylor, Jake Voulgarides
- “Last Time (I Seen the Sun)” from Sinners; Songwriters: Miles Caton, Ludwig Göransson, Alice Smith; Performers: Miles Caton, Ludwig Göransson, Alice Smith; Music Supervisor: Niki Sherrod
- “My Baby (Got Nothing at All)” from Materialists; Songwriter: Michelle Chongmi Zauner; Performer: Japanese Breakfast; Music Supervisor: Meghan Currier
Each song nominated here not only enhances its respective film but also showcases the collaboration between artists and music supervisors. As you explore these nominations, consider this: What makes a song truly memorable in the context of a film? We invite you to share your thoughts in the comments below. Do you agree with the nominations, or do you think there are other deserving contenders? Let's discuss!
